All The New Albums Coming Out In April 2025

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Keeping track of all the new albums coming out in a given month is a big job, but we’re up for it: Below is a comprehensive list of the major releases you can look forward to in April. If you’re not trying to potentially miss out on anything, it might be a good idea to keep reading.

Friday, April 4

  • Anika — Abyss (Sacred Bones)
  • Ant — Collection of Sounds: Volume 4 (Rhymesayers)
  • Babe Rainbow — Slipper imp and shakaerator (P(doom) Records)
  • Black Country, New Road — Forever Howlong (Ninja Tune)
  • Bnny — One Million and Three Love Songs (Fire Talk)
  • Buffet Lunch — Perfect Hit! (Upset The Rhythm)
  • Cameron Knowler — CRK (Cameron Knowler)
  • Coffin Prick — Loose Enchantment (Temporal Drift)
  • Craig Finn — Always Been (Tamarac Recordings/Thirty Tigers)
  • Daniel Kleederman — Another Life (Many Hats Distribution)
  • Dirty Projectors and Stargaze — Songs of the Earth (Nonesuch/New Amsterdam)
  • DJ Koze — Music Can Hear Us (Pampa Records)
  • Djo — The Crux (AWAL)
  • duendita — a strong desire to survive (10k)
  • Elton John and Brandi Carlile — Who Believes In Angels? (Island EMI Records)
  • Fugue State — In the Lurch (Strange Mono)
  • Glare — Sunset Funeral (Deathwish Inc./Sunday Drive Records)
  • Grace VanderWaal — Childstar (Pulse Records)
  • Heaven — Dream Aloud (Telepathic Love Records)
  • Hiromi — OUT THERE (Concord)
  • Hyldon and Adrian Younge — HYLDON JID023 (Jazz is Dead)
  • Jessy J — Terranova (Changi Records)
  • L.A. Guns — Leopard Skin (Cleopatra Records)
  • L.A. WITCH — DOGGOD (Suicide Squeeze)
  • Lawrence Hart — Come In Out of the Rain (Domino)
  • Lily Seabird — Trash Mountain (Lame-O Records)
  • Linying — Swim, Swim (Nettwerk)
  • Malcom Todd — Malcolm Todd (Columbia)
  • Maz — NPC EP (Winspear)
  • Mekons — Horror (Fire Records)
  • Melanie Fiona — Say Yes EP (Public Records/COLTURE/Title 9)
  • Miki Berenyi Trio — Tripla (Bella Union)
  • Momma — Welcome to the My Blue Sky (Lucky Number)
  • Panchiko — Ginkgo (Nettwerk)
  • Penelope Trappes — A Requiem (One Little Independent Records)
  • Perennial — Perennial ’65 EP (Ernest Jenning Record Co.)
  • Pigs Pigs Pigs Pigs Pigs Pigs Pigs — Death Hilarious (Missing Piece Records)
  • Roomer — Leaving It All To Chance (Squama)
  • Sarah Mary Chadwick — Take Me To a Bar / What Am I, Gatsby? (Kill Rock Stars)
  • Scowl — Are We All Angels (Dead Oceans)
  • Simona — Astuta (Pack Records/Create Music Group)
  • Sister Ray — Believer (Royal Mountain Records)
  • Sleigh Bells — Bunky Becky Birthday Boy (Mom + Pop)
  • SYML — Nobody Lives Here (Nettwerk)
  • The Waterboys — Life, Death And Dennis Hopper (Sun Label Group)
  • Wet — Two Lives (30SF)
  • Will Johnson — Diamond City (Keeled Scales)
  • Yann Tiersen — Rathlin from a Distance | The Liquid Hour (Mute)
  • young friend — motorcycle sound effects (Nettwerk)

Friday, April 11

  • Abbey Cone — Greener (Abbey Cone)
  • The Album Leaf — Rotations (Nettwerk)
  • Bedridden — Moths Strapped To Each Other’s Backs (Julia’s War Recordings)
  • Bjørn Riis — Fimbulvinter (Karisma Records)
  • Bon Iver — SABLE, fABLE (Jagjaguwar)
  • Bootsy Collins — Album of the Year #1 Funkateer (Bootzilla Records)
  • Clutter — Loves You EP (PNKSLM Recordings)
  • Daughter of Swords — Alex (Psychic Hotline)
  • The Driver Era — Obsession (Kartel Music Group)
  • Fancy Hagood — American Spirit: The Last Drag (Fancy Hagood Enterprises)
  • fantasy of a broken heart — Chaos Practitioner EP (Dots Per Inch)
  • Galactic and Irma Thomas — Audience with the Queen (Tchoup-Zilla Records)
  • Gerald Clayton — Ones & Twos (Blue Note)
  • Jon Pardi — Honytonk Hollywood (UMG)
  • Joni — Things I Left Behind (Hand In Hive)
  • Leatherman — Turn You On (This Charming Man Records)
  • Lullahush — Ithaca (Future Classic)
  • Magnolia Park — VAMP (Epitaph)
  • Maria Usbeck — Naturaleza (Cascine)
  • The Mars Volta — Lucro Sucio; Los Ojos Del Vacio (Clouds Hill)
  • Nell Smith — Anxious (Bella Union)
  • Nellie McKay — Hey Guys, Watch This (Omnivore)
  • OK Go — And the Adjacent Possible (Paracadute)
  • Ribbon Skirt — Bite Down (Mint Records)
  • Röyksopp — True Electric (Dog Triumph)
  • set dressing — i can’t be alone tonight EP (Fire Talk)
  • Sons of Ra — Standard Deviation (Free Electric Sound)
  • Spin Doctors — Face Full of Cake (UMG)
  • Tapeworms — Grand Voyage (P-VINE)
  • Teen Mortgage — Devil Ultrasonic Dream (Roadrunner)
  • Trousdale — Growing Pains (Zula Records)
  • Valerie June — Owls, Omens, and Oracles (Concord)

Saturday, April 12 (Record Store Day 2025)

Find the full list of Record Store Day 2025 releases here.

Friday, April 18

  • A Bigger Mouth — Band Stand (Practise Music)
  • Adrian Younge — Something About April III (Linear Labs)
  • Beirut — A Study of Losses (Pompeii Recording Co)
  • The Convenience — Like Cartoon Vampires (Winspear)
  • Cumulus — We’ve Got It All (Share It Music)
  • Divide and Dissolve — Insatiable (Bella Union)
  • Domino Kirke — The Most Familiar Star (Many Hats Distribution)
  • Iron Lung — Adapting // Crawling (Iron Lung Records)
  • JP Saxe — Articulate Excuses (Arista Records)
  • Julien Baker & Torres — Send a Prayer My Way (Matador)
  • Little Barrie & Malcolm Catto — Electric War (Easy Eye Sound)
  • Lostboycrow — The Sound of God Laughing (Nettwerk)
  • Mayday Parade — Sweet (Many Hats)
  • Melvins 1983 — Thunderball (Ipecac Recordings)
  • MIEN — MIIEN (Fuzz Club)
  • Neil Young — Coastal: The Soundtrack (Reprise)
  • Pigeons Playing Ping Pong — Live at The Capitol Theatre (No Coincidence Records)
  • Quade — The Foel Tower (AD 93)
  • quickly, quickly — I Heard That Noise (Ghostly International)
  • Rhiannon Giddens and Justin Robinson — What Did the Blackbird Say to the Crow (Nonesuch)
  • Rocket — Versions of You EP (Transgressive)
  • Scrounge — Almost Like You Could (Ba Da Bing!)
  • Soft Play — Heavier Jelly (Heavy Jelly)
  • Superheaven — Superheaven (Blue Grape Music)
  • Tunde Adebimpe — Thee Black Boltz (Sub Pop)
  • Taylor Rae — The Void (Missing Piece Records)

Friday, April 25

  • Beach Bunny — Tunnel Vision (AWAL)
  • Bells Larsen — Blurring Time (Royal Mountain Records)
  • Big Wett — Risk It (Play It Again Sam)
  • Billy Idol — Dream Into It (Dark Horse Records/BMG)
  • Cloth — Pink Silence (Rock Action)
  • Coco Jones — Why Not More? (Def Jam)
  • Cosmic Cathedral — Deep Water (InsideOutMusic)
  • d4vd — Withered (Darkroom/Interscope)
  • DeathbyRomy– Hollywood Forever (DeathbyRomy)
  • Deerhoof — Noble and Godlike in Ruin (Joyful Noise Recordings)
  • Eliana Glass — E (Shelter Press)
  • Emma-Jean Thackray — Weirdo (Brownswood Recordings)
  • Femi Kuti — Journey Through Life (Partisan Records)
  • Fib — Heavy Lifting (Julia’s War Recordings)
  • Fly Anakin — (The) Forever Dream (Lex Records)
  • Ghost — Skeletá (Loma Vista)
  • The Golden Dregs — Godspeed (End Of The Road)
  • Hannah Rose Platt — Fragile Creatures (Xtra Mile Recordings)
  • H.E.A.T — Welcome to the Future (earMUSIC)
  • JakoJako — Tết 41 (Mute)
  • Jawdropped — Just Fantasy EP (Fire Talk)
  • Jeff Goldblum And The Mildred Snitzer Orchestra — Still Blooming (Decca)
  • Jensen McRae — I Don’t Know How But They Found Me! (Dead Oceans)
  • Joan Osborne — Dylanology Live (Megaforce)
  • Jon Cleary & The Absolute Monster Gentlemen — The Bywater Sessions (FHQ Records)
  • Ledisi — The Crown (Listen Back Entertainment)
  • Luke Titus — From What Was Will Grow A Flower (Sooper Records)
  • Lyn Lapid — Buzzkill (Mercury Records)
  • Luke Spiller — Love Will Probably Kill Me Before Cigarettes and Wine (Big Machine)
  • Maria Somerville — Luster (4AD)
  • Monk — Dark Side of the Mind EP (Dine Alone Music)
  • The Moonlandingz — No Rocket Required (Transgressive)
  • The Opheilas — Spring Grove (Get Better Records)
  • Patrick Wolf — Crying the Neck (Apport)
  • Prima Queen — The Prize (Submarine Cat Records)
  • Rodeo Boys — Junior (Don Giovanni Records)
  • Roi Turbo — Bazooka EP (Maison Records)
  • Salami Rose Joe Louis — Lorings (Brainfeeder)
  • Samantha Fish — Paper Doll (Rounder Records)
  • Samia — Bloodless (Grand Jury Music)
  • Self Esteem — A Complicated Woman (Universal)
  • Slow Leaves — In Solitude, For Company (Birthday Cake Records)
  • Soft Loft — Modern Roses EP ([PIAS])
  • Smokey Robinson — What The World Needs Now (Gaither Music Group)
  • Stereophonics — ‘Make ’em Laugh, Make ’em Cry, Make ’em Wait’ (The Stereophonics Limited)
  • Sumac and Moor Mother — The Film (Thrill Jockey Records)
  • Sunflower Bean — Mortal Primetime (Lucky Number)
  • Tennis — Face Down in the Garden (Mutually Detrimental)
  • Tucker Wetmore — What Not To (Back Blocks Music)
  • Um, Jennifer? — Um Comma Jennifer Question Mark (Final Girl Records)
  • Uwade — Florilegium (Ehiose Records)
  • Vendredi sur Mer — Malabar Princess (A+LSO)
  • Viagra Boys — Viagr Aboys (Shrimptech Enterprises)
  • William Tyler — Time Indefinite (Psychic Hotline)
  • Willie Nelson — Oh What A Beautiful World (Legacy)
  • Wishy — Planet Popstar EP (Winspear)


source https://uproxx.com/music/new-albums-coming-out-this-month-april-2025/

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Hip Hop and Music: A Cultural Evolution

Hip Hop and Music: A Cultural Evolution and What Listeners Look For Hip hop is more than just a genre of music; it is a cultural movement that has deeply influenced the world for over four decades. Originating in the South Bronx during the 1970s, hip hop was birthed from the creative expression of marginalized communities. What started as a fusion of DJing, breakdancing, graffiti art and MCing (rapping) quickly became a global phenomenon. Over the years, hip hop has expanded its reach, influencing various aspects of society, from fashion and language to politics and social movements. But what exactly do listeners seek when they tune in to their favorite hip hop tracks? Let’s explore.

The Evolution of Hip Hop Music

The Evolution of Hip Hop Music At its core, hip hop music is built on rhythm and lyricism. Early pioneers like DJ Kool Herc, Grandmaster Flash, and Run-D.M.C. laid the foundation for what we now recognize as hip hop. They mixed disco, funk, and soul beats with rhythmic rapping to create a unique sound. Through the 1980s and 1990s, iconic artists such as Tupac, The Notorious B.I.G., Nas, and Jay-Z further shaped the genre, adding deeper narratives that explored social issues, struggles, and triumphs.
In the 2000s, hip hop saw its golden age evolve into new sub-genres, from Southern hip hop (e.g., OutKast and Lil Wayne) to the rise of trap music (led by artists like Future, Gucci Mane, and Migos). Today, artists continue to experiment with hybrid sounds, blending trap with pop, rock, and electronic music, creating a more diverse landscape for the genre.

What Listeners Look for in Hip Hop Music

What Listeners Look for in Hip Hop Music While the genre has evolved, the heart of hip hop music still beats with certain core elements that listeners continue to seek. Here’s what attracts audiences to hip hop music:

1. Authenticity

One of the most important qualities of hip hop is its authenticity. Listeners are drawn to artists who stay true to themselves, their roots, and their experiences. Whether an artist is rapping about overcoming hardship, life in the streets, or personal triumphs, their genuineness resonates with fans. Authenticity gives hip hop its raw edge, connecting the artist's voice with listeners on a deeply personal level.

2. Lyricism and Wordplay

Hip hop has always been a platform for storytelling, and the craft of lyricism is highly valued. Fans look for clever wordplay, metaphors, punchlines, and deep storytelling in their favorite tracks. Rappers like Kendrick Lamar, J. Cole, and Nas are revered for their intricate lyricism and ability to convey powerful messages through their words. A song with sharp bars, vivid imagery, and emotional depth can elevate a listener’s connection to the music.

3. Beat and Production Quality

The beat is often the first thing people notice in a hip hop song. A catchy, hard-hitting beat can make or break a track, and producers play an integral role in shaping the sound of hip hop music. Producers like Dr. Dre, Kanye West, and Metro Boomin have become household names for their distinctive production styles. From boom-bap beats to trap drums, the instrumental elements are essential in drawing listeners into the rhythm and groove of the song.

4. Innovation and Evolution

Hip hop is known for its constant evolution. Fans of the genre are often on the lookout for artists who push boundaries and experiment with new sounds. This spirit of innovation keeps the genre fresh and exciting. From the rise of auto-tune with artists like T-Pain to the blend of electronic and rap seen with artists like Travis Scott, listeners are eager for new music that challenges the traditional limits of hip hop.

5. Vibe and Energy

Hip hop isn’t just about the lyrics or the beat—it’s also about the energy the music brings. Whether it’s a party anthem, an introspective track, or a political statement, the vibe and energy of a song play a crucial role in how it resonates with fans. Artists like Drake, Cardi B, and Lil Uzi Vert have mastered the art of creating tracks that make listeners feel a certain way, whether it’s hyped up, laid back, or reflective.

6. Relatability and Emotional Connection

Hip hop has always been an outlet for self-expression and commentary on life experiences. Because of this, listeners often gravitate toward songs that reflect their own lives, struggles, and aspirations. Whether it’s a song about the challenges of growing up in a tough environment, the celebration of personal success, or the experience of love and heartbreak, hip hop has the unique ability to connect emotionally with audiences. Fans often seek songs that speak to their individual journeys and provide comfort, validation, or empowerment.

The Global Reach of Hip Hop

What was once confined to the streets of New York City has now become a global cultural force. From Tokyo to Paris, hip hop has spread across continents, influencing artists and listeners worldwide. In recent years, artists from outside the U.S. have brought their own cultural influences to the genre, blending hip hop with local sounds, languages, and traditions. The genre’s global reach is a testament to its universal themes of struggle, self-expression, and empowerment.

Conclusion

Hip hop music is an ever-evolving cultural powerhouse that has grown from a localized subculture into a global sensation. The authenticity, lyricism, production quality, innovation, energy, and emotional depth are the main ingredients that attract listeners to hip hop. While the genre continues to change, its core values remain consistent—offering a space for self-expression, storytelling, and connection. As hip hop continues to evolve, it will undoubtedly remain a major force in shaping the future of music. Whether you’re a fan of classic boom-bap or modern trap, hip hop’s diverse range offers something for everyone, proving that its cultural impact is here to stay.